#Bass trombone position chart how to

  A-Sharp or B-Flat !A VV5 'A  A C-Sharp or D-Flat A !A VV3 or V6 'A VV2 or V5 or Gb6 D-Sharp or E-Flat E F A !A 'A A A V3 or Gb4 F-Sharp or G-Flat !A 'A 'A 1 or VV5 7 or V2 or Gb3 G G-Sharp or A-Flat A !A 4 5 or Gb1 A-Sharp or B-Flat !A VV4 'A C D VV1 or V4 or Gb5  B or C-Flat B or C-Flat A VV4 'A 3 A 'A C A 6 or V1 or Gb2 VV3 or V6 A 2 C-Sharp or D-Flat !A 'A VV 2 or V5 or Gb6 Bass Trombone Slide Position Chart (Everett), p. chart shows the pedal BBl up to f in first position, although he insisted. The the third slide position chart shown below was created by Chris Waage a friend of mine and fine bass trombone player.

#Bass trombone position chart how to

Gb1 = 1st position, independent Gb-valve engaged. Learn how to play any note on the trombone with this chart that shows the most commonly used positions for tenor and bass trombones. bass and tenor trombones were both in Bl and the alto in El. I am looking for a position chart for bass trombone Bb-F-Gb. (The continuous gliss starts around 0:33. These are supplemented by MP3 recordings allowing the student to hear what the compositions sound like and to use as play-along. Go Here for the slide position chart for a treble clef standard straight trombone.

Go Here for the slide position chart for a treble clef trombone with an F attachment trigger. Go Here for the slide position chart for a bass trombone Bb-F-Gb. These collections are for Low Brass Ensembles or for any of the three low brass instruments (trombone, euphonium or tuba). Go Here for the slide position chart for a trombone with an F attachment trigger. The fourth impromptu from Jan Koetsier’s Five Impromptus (for trombone quartet) contains a glissando passed between the members of the ensemble to create a continuous gliss. Go Here for the slide position chart for a tenor clef trombone with an F attachment trigger. Chromatic Slide Position Chart for Bb-F-Gb-D Bass Trombone Micah Everett, University of Louisiana at Monroe Explanation: 1 = 1st position, no valves. 747 by Jim Pugh and David Taylor begins with parallel glissandi between a tenor and bass trombone.